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Bandsaw Architecture

from "Orwell 1995" (EW004​/​AH001) by Orwell

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about

Originally appeared on the Ground Rule Double Comp put out by Divot Records (DVT 003) and Actionboy 300 (ACT BOY 004) in 1996
recorded by Chuck Uchida @ Attica, September 8, 1995

lyrics

Sitting in my stroller
Looking at your knees
I realized I’m afraid of everything, everything
All the scenes of little boy conflicts
Stolen bikes and popped balloons
Swim lessons and my confession of Insult-coated love from you.

But some people are more content with some
Me, I’m waiting for Agnes herself to come
Call me baby, baby
At least you call me baby, baby
why don’t you follow me

I’m so used to using
Blood from older bruises
Now look who’s losing
Different versions of the same contusions
Those days of young adult conflicts
I’m best when you aren’t watching
Your eyes are arching
And so soft and starchy

Some people are more content with some
Me, I’m waiting for Agnes herself to come
Call me baby, baby
At least you call me baby, baby
why don’t you follow me

When four lips make two
It makes a buzz like jazz
Buzz like jazz

Magic is so approximate Isn’t it?

credits

from "Orwell 1995" (EW004​/​AH001), released January 15, 2021
Bob Nanna- Vocals
Billy Smith- Drums
Fred Popolo- Bass
Sean O’Brien- Guitar
Demetrio Maguigad-Guitar

license

all rights reserved

tags

about

Orwell Chicago, Illinois

A fleeting moment of adolescent excitement from five unfledged twenty year olds in Chicago during 1995-96.

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